God Got a Dog - A Gem

Cynthia Rylant and Marla Frazee.  Another perfect combination.  Using sixteen poems from God Went to Beauty School, they've created a beautiful collection in God Got a Dog.  Who doesn't love these two talented women?
     What I imagine most is Marla chatting with Cynthia about this book, these poems, during their collaboration.  And, me only wishing I could have been a fly on the wall... okay, actually a fellow reader/writer sitting with the both of them at the table as they chatted.  Can you imagine?  Cynthia Rylant, a writer's writer/illustrator.  Marla Frazee, a writer's writer/illustrator.  Two talents that God has put together to create this book... two talents that we all admire.  Imagine.
     Now there might be a few biblical scholars who would disagree with Rylant's interpretation of God.  But, they can't argue with the fact that she's a brilliant writer who writes from her heart, a wordsmith beyond compare.  And her words, coupled with Frazee's illustrations make a reader's heart happy.  And who doesn't need a heart that's happy?  God himself said so in Proverbs 15:13 and Proverbs 4:23.  A happy heart is good medicine! 
     My favorite poem in the entire collection is "God Went to India."  Perhaps it's because it reminded me of my mom and her love for elephants (I have two from her collection).  Perhaps it reminded me of my daughter and her recent life-changing trip to visit the orphanages in India.  But, perhaps it's because of this beautiful section:

 God understands mourning

better than any other emotion,

better even than love.

Because He has lost

everything He has

ever made.

You make life.

You make death.

The things God makes

always turn into

something else and

He does find this good. 

But He can't help missing all the originals.

      
     So, Rylant fans.  So, Frazee fans.  We have a new gem for our collections.  Two of our friends have come together to create this special book.  God does do good work.  And, we can only hope that these new-found friends collaborate and come together on the pages of another book... sooner than later. 

     In the meantime, I'll be sitting at my table with the two of them, reading God Got a Dog. Imagining that they, too, were wishing that were HERE!  Imagine.  

... and our hearts are happy!

Snowflakes Fall

When you combine the talents of Patricia MacLachlan and Steven Kellogg, there's not much more to say...
     Snowflakes Fall arrived today.  My heart is full.  With the simplicity of MacLachlan's words, I was once again moved and inspired.  With the honesty of Kellogg's illustrations, I was once again reminded and touched.  
     As a tribute to Sandy Hook, this book is meant to be joyful and spirit-filled.  It is.  If you haven't purchased this book.  You should.  Read it once for your head.  Read it once for your heart.  And then read it to your students... tomorrow.

     "Snowflakes fall
     To Sit on garden
     And evergreen trees
                                On the fur of dogs
                                And the tongues of laughing children--
                                                                                No two the same--
                                                                                All beautiful."

And we remember the children.  I just want to say thank you to both the author and the illustrator for creating such a fine tribute to life.  Thank you.

To Look at Any Thing...

Change

The summer

still hangs

heavy and sweet

with sunlight

as it did last year.

The autumn

still comes 

showering gold and crimson 

as it did last year.

The winter 

still stings

clean and cold and white

as it did last year.

The spring

still comes 

like a whisper in the dark night.

It is only I 

who have changed.

Charlotte Zolotow

 (c) 1978 To Look at Anything 

Lee Bennett Hopkins

This is my favorite poem from Lee Bennett Hopkins's book To Look at Any Thing.  Have you seen the book?  It's a collection of poetry centered around nature photographs by John Earl taken in Georgia.  Circa 1978.

There's something endearing when you find yourself thumbing through the pages of a book that was published 35 years ago.  The black and white photographs, coupled with poetry from some of our most extraordinary poets was a treat to reread.  To read Charlotte Zolotow's words in "Change," or Patricia Hubbell's words in "Beginning of Thoughts," or Lilian Moore's words in "Encounter," or Langston Hughes's words in "Hope."  This is a special book. 

I think it behooves us to look through our classroom and personal libraries and find "gems" we can share with our students.  

More importantly, it's important for us to reread great writing for ourselves.  To nudge our own writing.  To conjure up memories of the poets we love.  To think of ways to inspire others.  To remember that "new" is not always better.  To take a look at "any thing" and know that perhaps there's a poem hidden in even the simplest objects. 

Eudora Welty - A Mentor's Mentor

In the late 1980s, my friend and colleague, Laura Benson, recommended One Writer's Beginnings to us at a workshop.  I remember her sharing sections of it and I immediately went to The Bookies for a copy (at that time The Bookies was still in an old bungalow off 6th Avenue... crammed to the brim with books).  

I think it was one of the first hard cover "professional" books I ever purchased and it still has a special place on my bookshelf.  It's the narrative of Eudora's falling in love with language, writing, and story. It's broken into three sections "Listening," "Learning to See," and "Finding a Voice." Based on her lectures, it captures her story of becoming a writer... finding her voice after years of listening and observing those around her.

Imagine for a minute if we used those three section titles as a "curriculum guide"... if we, indeed, took all the complexities we face as teachers and filtered them through what a young girl from Mississippi deemed important as a learner.  As teachers of reading and writing, could we not couch our work in those three areas?  

What if our guiding questions became:

What are the ways my students are learning to listen?

What are the ways my students are learning to see?

What are the ways my students are developing a sense of their own voice?

How?  Why?  So what?

If we simply (or not so simply) helped our students (and ourselves) to "listen," wouldn't we already be one step ahead.  Listen to the rhythm of these words.  Listen to your fellow learners, what did you hear?  Listen as I share this part out loud with you, what do you notice?  Listen to your own understanding, what's floating in your mind right now?  There's something in this piece that I want to try in my own writing, did you hear it?  Listen again. Listen to the pattern of the words, the sentences, the text... what's beating in your heart?  Your mind?    Listening.

Now "See."  See what's around you (write it down).  See what he just did, do you suppose you might have a go with that?  See how that vowel pattern works, are you learning to recognize it?  See how this illustration matches the words the author uses.  Close your eyes for just a moment, what do you see?  When she shared her poem with you, what did you see?  When you share your writing with him, what did he tell you he saw?  Watch me, tell me what you see... now let me watch you and I'll tell you what I see.  Learning to See.

Find a Voice.  Did you hear the way you said that... it sounded just like _____ (insert your favorite author's name)?  You should write about that, it's an important story.  Your thinking is really important, you might recommend this book to someone you think might enjoy it.  You did create a sensory image, how did it help you?  If someone, right now, asked you what you were thinking, what might you tell them?  You know, not many people can capture a moment in time as beautifully as you just did... how will you share it with others?  Finding a voice. 

Listening.

Learning to See.

Finding a Voice.

Listen to Eudora's words as she describes an important discovery she made about books:

It has been startling and disappointing to me to find out 

that story books had been written by people, that books were not

natural wonders, coming up of themselves like grass.  Yet regardless

of where they came from, I cannot remember a time when I was not in 

love with them--with the books themselves, cover and binding and the paper

they were printed on, with their smell and their weight and with their possession

in my arms, captured and carried off to myself.  Still illiterate, I was ready for 

them, committed to all the reading I could give them.  (Welty, pp. 5-6)

That's exactly what I want my students to do, to commit themselves to understanding all that books can give them.  Not based on a number of books they plow through.  Not based on a "level" or a specific genre.  Not based on the number of minutes they read.  Not based on the questions they can answer after a read.  Not based on some mystical "core" description of what a reader is or is not.  Not based on a test.  I want the readers in my care to fall in love with the books themselves.  And perhaps if they listen and learn and see my passion for reading and writing, they will perhaps, in turn, find their own voices as readers and writers.

If you haven't read One Writer's Beginnings, you should.  If you haven't read one of Eudora Welty's works, you should.  If you haven't explored her descriptions of life in Mississippi, you should.  There's something grand about her language, her words, the tempo of her writing.  Her simple southern life gave her writing a complex and varied cadence.  And as you read Welty, you have to keep "Listening, Learning to See, and Finding a Voice" in mind.  Eudora Welty is a mentor's mentor.  

Also read A Darling Life:  A Biography of Eudora Welty by Carolyn J. Brown.  Ms. Brown has captured the life... in words and photographs (many of Welty's own)... of Eudora Welty for a new generation of learners.  This time for young readers and writers.  From her childhood in Jackson, Mississippi to political unrest to her declining years, Ms. Brown captures the journey of Miss Welty stunningly.  She lead a simple, albeit extraordinary, life.  Listen to these words from Miss Welty:

Lately, in my old age, it has seemed to me, when friends meet to hold

a public service to pay tribute to one of their number who has died, that 

without words to that effect ever being said, they are drawing a circle 

around that friend.  Speaking in turn one after the other, joining them 

together anew, they keep what they know of him intact.

Eurdora Welty, Introduction, The Norton Bok of Friendship  (Brown, p. 75) 

I'm thinking we all need to draw a circle around these two books for a bit of time... just to listen... to see... and perhaps find a bit of our voice, both as teachers and as readers and writers ourselves.  To keep Eudora Welty's contributions as a writer intact... read!

Jen Bryant - A Conundrum

I have three books in my "new" pile to write about... and they're all by Jen Bryant which is causing me a huge conundrum!  Do I write about them in one entry?  

Nope.  But let me write about two today...

The first book is Georgia's Bones.  It's a wonderful book about Georgia O'Keefe.  Listen to the first lines:

As a child, shapes often drifted

in and out of Georgia's mind.

Curved and straight, round or square, 

she studied them, and let them disappear.

The way Jen Bryant takes us on a "collection of words" about Georgia O'Keefe's life is gentle and spirited.  Even though the book is "fiction," you gather a sense of Georgia O'Keefe's innate curiosity and sensitivity to the natural world.  And Bethanne Andersen blends her illustrations with Ms. Bryant's words almost magically.  As I read it, I felt like I was learning about a part of Georgia O'Keefe's life that I never knew.

How will I use it?  I might use it in a study of "Stamina and Endurance."  Or I might use it to introduce the concept of "Noticings" as we work in our writer's notebooks.  Or I might use in a study of lyrical nonfiction.  Or I might use it during a study of "Line Lifts" to nudge our writing.

• • • • • • • • • 

The second book is Abe's Fish.  This will go into my classroom collection of "Books about Abe Lincoln."  Listen to this writing:

The late-day sun warmed Abe's back and 

deepened the red of a ripe apple that hung

by the roadside, just out of reach.  Abe tried

three times to poke it down with a stick, 

but the apple refused to drop.

I wish I was tall! he thought

Ms. Bryant takes us on a childhood journey of Abraham Lincoln's life that is eloquent and poignant.  Freedom.  The ending pages are breathtaking.  I loved that it focused not on his presidency, but on his childhood.  The author's notes at the end of the book are an example of superb nonfiction writing.  Amy June Bates has illustrated the books beautifully.

How will I use it?  I might use as a "cousin" text to my other Lincoln books.  Or I might use it in a study of "Stamina and Endurance."  Or I might use it in a study of "Evoking Sensory Images."  Or I might use it as an example of "mixing narrative in a nonfiction study." 

• • • • • • • • • 

Jen Bryant is an talented writer.  We loved her River of Words about William Carlos Williams.  She's bringing nonfiction to young readers in the most interesting and breathtaking ways.  Her ability to blend "fiction" with "nonfiction" is the exact kind of book I like to read... it causes me pause.  It makes me reread.  It makes me notice.  It makes me want to read more.  It makes me want to learn more.  Dare I say her writing deserves a closer read?

So what's the rest of my conundrum?  I'll mention that in my next "Jen Bryant" post...

Reading in the Wild - A Preview

For the past several weeks, I've had the pleasure of prereading the final manuscript of Donalyn Miller's new book Reading in the Wild: The Book Whisperer's Keys to Cultivating Lifelong Reading Habits which will be published in November (it's kind of fun, turning over page after page of 8 1/2 x 11 paper).  

The cover... beautiful!

Having a friend like Donalyn is one of the blessings we have as teachers, isn't it?  Whether you've spent time with her at dinner, listened to her speak at a conference, or heard her whisper her beliefs to you as you read The Book Whisperer:  Awakening the Inner Reader in Every Child you have, indeed, met Donalyn.  

Donalyn is a teacher's teacher.  She's passionate about her work with readers and in helping us become better at our craft.  What impresses me most about Donalyn is her sincerity.  She believes so strongly in "cultivating" and "awakening" the reading lives of young readers.  I imagine the blood that flows through her veins likely contains "read" blood cells. 

In her new book, she, along with Susan Kelley, share five important lifelong habits that they believe readers need in order to prosper.  They share ways to nudge children to be "readers in the wild."  It's sprinkled with the rituals and routines that Donalyn, and Susan, know from experience will cultivate the types of readers we want children to be and to become, both in the classroom and out of the classroom.

I'll write more about this book as it gets closer to the publication date, but I have a strong inkling you'll want to preorder it!  

I was reading the other day and ran across this marvelous quote by Terry W. Glaspey, "Books provide the most helpful of road maps for (an) inner journey.  They show us the tracks of fellow travelers, footprints left by earlier pilgrims who have trod the path that stretches before us.  Their luminosity helps to light our way.  As we read we realize we are not alone."  

And, that's how I feel about this new book by Donalyn.  She, along with her friend Susan, are luminaries for teachers, no matter our experience.  There's a reasonableness to their work.  It causes us to focus, reflect, and make meaningful decisions about the learners in our care.  Grounded in thoughtfulness, this book will nudge us as teachers... and, in turn, stretch the readers with whom we work.

What are the five habits?  I'll mention those in a future post.  But, for now, know that you're in for a treat from Donalyn (and Susan).  In the meantime, read wildly... think deeply... and discover the habits YOU have as a reader.  After all, aren't the very habits we possess the ones we want our students to emulate?  Then ask yourself, "How am I teaching my students to do the same thing?"  Donalyn has.  As fellow travelers, we should too!

Every Living Thing - Revisited

As I write, I'm sitting in my backyard in the shade.  My Newfoundland Dog, Timber, is sitting at my feet trying to stay cool (which isn't easy for a huge black dog to do).  The mist from a sprayer is floating along the light breeze, giving us a cool burst periodically).  It's 95+ degrees in Denver today.  It's hot!  Escaping the heat means a good book is close by...

Today I'm rereading Every Living Thing by Cynthia Rylant.  My paperback copy in my classroom is dog-earred and well-loved.  It's one of my "go to" books.  I have a hard cover copy at home and I've been spending my reading time with it today.  I'm sure you know it, but it's a treasure trove of wisdom... worth a reread.

Who doesn't love the story of Leo in "Slower than the Rest."  Simply because it's one of Rylant's masterpieces.  As you read, your reading heart melts when Leo fills "fast" for the first time in his life... thanks to Charlie.  How many Leo's have you known in your classrooms... "slow in reading, slow in numbers, slower than nearly everything that passed before him in the classroom"?  Brilliant writing.

Who doesn't love Velma?  And Miss Cutcheon in "Retired"?  Simply because we love what we do, this calling of teaching and can't imagine not doing it.  As you read, you can't help but think of your own teaching life... perhaps impending retirement... change.  How many times have we heard the saying "Old habits are hard to break"...  "Each day Miss Cutcheon would creak out of her bed like a mummy rising from its tomb, then shuffle into the kitchen, straight for the coffee pot."  Brilliant writing.

Who doesn't love Emmuanuella in "A Pet"?  Simply because we've all longed for a childhood pet and perhaps had to watch it die.  As you read, you can't help but sigh when she finds Joshua waiting for her after school.  How many times have we had to say goodbye... "In the morning, Joshua was dead.  Emma found him floating on top of the water when she woke up.  When she lifted him out of the water in the net, it surprised her how heavy he was.  He was as large as her hand, and it surprised her because she had never held him."  Brilliant writing. 

Who doesn't feel kindred to Denny in "Safe"?  Simply because our fears often play a huge role in our lives; whether you're a child or an adult, fear is real.  As you read, you can't help but understand Denny's need for comfort.  How many times have we turned our hearts and minds to something or Someone to take away our fears... "The cows' eyes were all large and shining and very, very peaceful.  Denny stared at the eyes and he felt reassured.  He felt stronger.  He felt safe."  Brilliant writing. 

And so Every Living Thing goes.  There's something reassuring about sitting with an old friend in the heat of the day.  Reading words that you've read time and time again.  Knowing how the stories end, but forgetting how superbly they were written.  Of course, in the classroom it's all "What did you notice?" and "Why do you suppose?" but on a 95+ degree day, with a Newfoundland dog at your feet, it's really about revisiting, remembering, and rereading... brilliance.

The Lost Art of Mixing - A Must Read

She dragged a chair across the kitchen to the counter and clambered up, stabilizing herself with a hand on the cabinets.  She reached up for the first bulb in the string of recessed fixtures and gave it two quick, firm twists.  On the third turn, the heat from the bulb met her fingers and she jerked back, the bulb falling through her hands, cracking on the tile floor in loud, spectacular pieces.

     She looked down, shocked.  The house seem to shimmer in the aftermath of the noise.  The edges of the broken bulb winked up at her, bright and sparkling, seductive as diamonds.  Slowly, Louise smiled.

- - - - - 

Tom stood looking at the hunks of wood—a half-cord, easily, he figured, although the logs he had chopped in his teenage years had been clean, consistent lengths, redolent with the smells of alder and maple, their bright surfaces almost begging to be cut.  He remembered the joy of his growing muscles, the loft of the axe as it swung up in an endless arc and then came slamming down.  The complete and utter satisfaction of a smooth surface cleaving into air as the pieces went flying to either side of him.

     This was not going to be like that, he could tell, looking at the haphazard jumble of gnarled stumps and logs, half of it wet and rotting, the other portion hard and glistening and green.  This was wood that defied the axe, a living lesson that when it came to heat, sometimes it was better to use man’s other inventions—electricity, gas, propane.

- - - - - 

As a reader, who can't read these words from Erica Bauermeister’s novel The Lost Art of Mixing and not create an image that sucks you into the writing?

The Lost Art of Mixing is the sequel to The School of Essential Ingredients.  Both books were recommended to me by my friend, Mimi Brown.  Mimi is a literacy virtuoso who works in the Issaquah School District.  Whenever we chat on the telephone, it always includes a discussion of books (new titles, old titles, no matter).  

If you are a foodie, you will love both books (although there's less of a food focus in the sequel).  Erica Bauermeister is a character crackerjack.  When you read one of her books, you leave the last page knowing (sometimes becoming) one of the characters.  The prose-like nature of her words creates ripples of texture, emotion, and images that, as a reader, suck you into the story gracefully.  Her words mix the power of food, the power of love, the power of "being" with another person together in the most artful way. 

Not to sound cliche`, well okay, to sound cliche`... there's a deliciousness that permeates her writing.  Each chapter of this book focuses on a specific character's life... and as I read, I was drawn in to the smells, the tastes, the feelings of each character's being.  In this book, you read about the familiar characters you grew to love (or not love) from The School of Essential Ingredients and you grow to love (or not) new characters that she brings on board in her second book.

When I talk to my students about evoking, or creating, sensory images, we come to know the importance of being "drawn in" of "knowing" how those images help us understand, help us remember, help us extend meaning, or help us make our reading experiences memorable (see Conferring the Keystone of Reader's Workshop, page 25).  As Amanda noted in her reader's notebook during our study of sensory images this year, "I think that sensory images help me by comparing what I got a sense of to what really is... I can see something, taste something, hear something, feel something, or smell something.  It can connect my connections because it makes the details come alive!"

So, as a reader, I'm always on the search for text that helps me revisit and revision my own use of "thinking strategies."  If I'm helping my students come to rely on a strategy more explicitly as a tool, I too must learn how it helps me.  As an adult, the idea of "evoking sensory images" seems clearcut, something "we automatically do because we're proficient readers," but is it?  With each close read, with each nuance, with each "How the heck did she do that?" I think I become a little better at using and noticing this strategy as a reader, as a thinker.  My awareness of what's going on "inside" nudges me to better understand how to express my thoughts to those who sit "outside" my thinking processes.

It's the same with my students.  When we've experimenting enough with a strategy... as a whole group, during small groups, one-on-one, alone—we come to understand how the "behavior" of creating an image (or any other comprehension strategy) brings power and fortitude to our understanding.  We dig around a bit, figure things out, toss out ideas, play... and that can only be done in text that's meaningful to us as readers.

The Lost Art of Mixing is such a book for me.  You should give it a go as a reader.  In her Acknowledgments, the author writes:  Words need ears to hear them and eyes to read them long before they can every be considered a book.  Now that it's a book... oh such words!  Try focusing on the sensory images you're creating and how they are helping you understand Erica Bauermeister as a writer.  Ms. Bauermeister's writing style is powerful... joyous... intriguing.  Often she throws in a word, a sentence, a paragraph that makes me stop in my tracks.  I pause.  I consider.  I reflect.  Briefly.  Then, I move on as not to lose the image created for me as a reader.

Imagine you're Louise wandering in to this bookstore... The bookstore was small and elegant, its books carefully chosen to appeal to both the casual tourist and those who stayed through the long and stormy winters.  A mix of bright and subtle covers, rough-edged pages and slippery paperbacks.  A flurry of handwritten notes hung from the bottom of the shelves, offering recommendations and brief synopses, inviting hands to open the books above.

Now run to your independent bookseller (or library) and get The Lost Art of Mixing.  Then head to the beach (you'll know why I wrote this after you read it).

- - - - - 

I also wrote a blog about Joy for Beginners, another of her books.  Click on the title to the blog it!  Also recommended by Mimi!  

Summer Readin' - Had Me A Blast!

Last week, I email this to my fourth grade students from last year.  I thought I'd post it on All-en-a-Day's Work as well.  My friend, Dana, and I were chatting on the phone and she asked me what I ordered... here's the list!  Enjoy.

- - - - - - - 

Good Morning, 

I hope your summer is off to a good start... full of fun, family, and reading (and some math and some writing and perhaps some investigating of creatures living in your backyard)!

My summer is off to a grand start. I spent a week in Minnesota working with teachers there (I also got some cheese curds in Wisconsin and visited the town near where Laura Ingalls was born).  I came home with a few books (surprise) and some artwork from local artists in the places we visited.  I spent three days with Lauryn's first grade teacher, Mrs. Franklin, and her husband (my wife and Lauryn went with me) who now live in Minnesota in a quaint little town.  I had dinner with Mr. Muma's old boss and went to his house to visit.  My wife and I joked about perhaps moving to Minnesota when I retire in five or ten years or so!  

This week I've spent time reading and writing and reading and writing some more.  I'm on about page three of a new book, but I've also been doing some other writing as well.  I am babysitting Tonka, my son's dog.  She and Timber are keeping me on my toes (right now they are sleeping on my toes).   

I wanted to update you on my book purchases (for those of you who gave me gift cards especially) over the past week.  It's been so much fun reading other teacher's blogs and making a list of "must haves" for the classroom.  So much fun, in fact, that I decided to send you the titles so you'd know what I purchased (and perhaps nudge you to do a bit of book investigating on your own).  

I thought maybe a trip to the library with a few titles in hand would add to your summer reading.  You know, it's just as important to read 20 (make that 30) minutes a day in the summer as it is during the school year.  Lauryn's favorite summer reading includes the free pamphlets that we find when we go to the zoo, museums, etc.  We're all rereading some of our favorite "picture" books this summer (that's a silly term - they are more than picture books) and talking about them.  We're also trying to spend time without the noise box (television) on... especially now that "The Voice" is over.  I'm also trying to write about my reading every day.  

Most of these titles aren't novels, but rather the kinds of books that we, as writers, use as mentors to nudge our writing.  Just in case you're interested, here's what I ordered:

• Just in Time for Christmas by Louise Borden (a dog story by a friend of mine--she's a fabulous writer; so kind and funny in real life)
• His Name was Raoul Wallenberg by Louise Borden (if you loved Hana's Suitcase, you'll love this one)
• The Matchbox Diary by Paul Fleischman (yes, that Fleischman family)
• The Journey That Saved Curious George: The True Wartime Escape of Margret and H.A. Rey by Louise Borden (also a good cousin text to Hana's Suitcase)
• The Old Ways: A Journey on Foot by Robert Macfarlane (this is an adult book that I thought looked intriguing)
• Forest Has a Song: Poems by Amy Ludwig VanDerwater (this would have been good to have during our ecosystem study, plus her name is fun to say)
• The Truth of Me by Patricia MacLachlan (this is brand new and hasn't been released yet, but I preordered it)
• Gone Fishing: A novel by Tamera Will Wissinger (a short novel in verse, a good read aloud... and great poetry, lots of ideas to nudge writing in our "Write at Home" notebooks.  And again, isn't Will Wissinger just fun to say outloud!)
• My First Day by Steve Jenkins (great nonfiction mixed with narrative, a great repeating line book)
• Lullaby by Jane Chelsea Aragon (simply because I love Salt Hands and Ms. Aragon lived fulfilling, writing life... by the way, Salt Hands is NOT easy to find)
• Winter Harvest by Jane Chelsea Aragon (again... she's a great writer)
• Georgia's Bones by Jen Bryant (she wrote A River of Words and this is about a famous artist named Georgia O'Keefe)
• A Splash of Red: The Life and Art of Horace Pippin by Jen Bryant (a cousin text to A River of Words, perhaps)
• Ice Bear: In the Steps of the Polar Bear by Nicola Davies (my daughter won't let me have her copy and I love this book)
• The Train Jumper by Don Brown (he wrote Bright Path)
• Abe's Fish: A Boyhood Tale of Abraham Lincoln by Jen Bryant (surprise, another book by her)
• Mack Made Moves by Don Brown (another great Don Brown book... I think I have-or will have-most of them now)
• White Owl, Barn Owl by Nicole Davies (I love her mix of nonfiction and narrative... she wrote Bat Loves the Night)
• Rare Treasure: Mary Anning and Her Remarkable Discoveries by Don Brown (he's one of my favorite writers, as you know)

I also ordered these books used:

• Together by George Ella Lyon (my paperback copy is kind of falling apart - illustrated by Vera Rosenberry)
• Mail Myself to You by Woody Guthrie (illustrated by Vera Rosenberry)
• Let it Begin Here!: April 19, 1775: The Day the American Revolution Began (Don Brown - about an important time in our history)
• Dolly Madison Saves George Washington (Don Brown - haven't read this one yet and can't wait!)
• The Notorious Izzy Fink (Don Brown - this looks really good)
• Ruth Law Thrills a Nation (Don Brown - an aviation heroine)
• All Stations! Distress!: April 15, 1912: The Day the Titanic Sank (Don Brown - to add to my growing Titanic collection)
• The Good Lion (Don Brown - Beryl Markhams' story)
• Uncommon Traveler: Mary Kingsley in Africa (Don Brown - another adventurous woman)
• Across a Dark and Wild Sea (Don Brown--which I think I may already have... but it's amazing)
• Moonpie and Ivy by Barbara O'Connor (I wonder why?)
• Barefoot Dancer: The Story of Isadora Duncan by Barbara O'Connor (Hmm....)
• Fame and Glory in Freedom, Georgia by Barbara O'Connor (one of her early books)
• Greetings from Nowhere by Barbara O'Connor (a copy for the room)
• Read to Me by Judi Moreillon (my friend Paul, from Indiana recommended this one, and he teaches high school and uses it with his kids - I always trust his recommendations)
• Sing Down the Rain by Judi Moreillon (just a beautifully illustrated story and I've been thinking a lot about rain lately)

Again, enjoy your summer!  I hope that you'll find some quiet time to reflect and reenergize before school starts in August.  I'll think of you fondly as I prepare for a new adventure with a new group of learners. 

All the best, 

Mr. Allen